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NCPA - Living Traditions: Festival of Jharkhand

At: Experimental Theatre
Day 1 - 8 March 2024


NCPA - Living Traditions: Festival of Jharkhand
Nagpuri songs by Prithviraj Sinhdeo & group

Regarded as a derivative of Bhojpuri, Nagpuri is the main language of Sadan, an ethno-linguistic group of the Chhota Nagpur region, which covers some areas of Jharkhand and neighbouring states of Bihar, Chhattisgarh and Odisha. It is also the main language of several tribal groups such as Kharia, Munda, Bhumij, Kurukh and others. Couched in Nagpuri language, the musical renditions are based on diverse melodies, reflecting the typical folk flavour of the region. Until recently, only locally made instruments were used for accompaniment.

Ho dance by Uma Kumari & group
Ho Munda are the scheduled tribe of the Singbhum district of Jharkhand. Performed together by men and women, the Ho dance is essentially regarded as a courtship dance. But often, it is also performed during the harvest season and wedding celebrations. White, red and yellow colours dominate attires of both men and women. Holding each other, they move with the melody of the bansuri (bamboo flute) in a semi-circular fashion with graceful footsteps and waist movements, matching with the beat of drums and percussion instruments such as dama, dumeng and rutu, to name a few. The songs vary with the change of season and occasion; as a result, there are several variations of this dance form. Mage Porob, organised in the month of Magh, is a well-known dance festival of the Ho Munda community.

Gohaeer Jatra: folk play written and directed by Deepak Lohar
A Presentation by Birsa Kala Kendra
The title of the play depicts loud communication amidst the pandemonium of the countryside fair. This is a story of a village girl Roopa, caught in human trafficking. The play unfolds the heartrending plight of the victim along with that of her brother, Kanhu, who also has his own share of life struggles. The play has a tragic end, highlighting the menacing effects of rural poverty that is rampant in most Indian villages.

Day 2 - 9 March 2024

Kudmali Jhumar songs
by Kamal Mahato & group
Regarded as an Indo-Aryan language, Kudmali is one of the several languages spoken in Bihar. While mainly prevalent in the Chhota Nagpur region of Jharkhand, it is also widespread in the border regions of Odisha and West Bengal. Though mainly written in the Bangla script, Kudmali literature is also available in other scripts such as Devnagri and Odia.
Closely linked with the lives of common people, Kudmali folk songs are simple, yet appealing. There is no aspect of life in this region that can be considered complete without the inclusion of these extremely popular songs, known as Kudmali jhumar geet.

Chhau dance by Dildar Ansari & group
Recognised by UNESCO as intangible cultural heritage of humanity, chhau is a popular dance form prevalent in the three states of eastern India: Jharkhand, Odisha and West Bengal. Although there are regional variations, topics generally range from the great epics and mythology to nature and even folklore, which are presented using combinations of hand, neck, and eye movements. Some varieties also deploy martial art techniques. Instruments used are bamboo flute, cymbals and varieties of native drums. Within the state of Jharkhand, there are three prevalent styles of chhau: Saraikela, Kharsawa and Manbhum.

This chhau dance presentation revolves around the hunting tradition of this region replete with lush green hills, forests, animals and tribals, in which hunters kill animals for their flesh. When persuaded by their wives to abandon the age-old practice against nature, hunters understand the importance of maintaining an ecological balance by protecting all kinds of flora and fauna, which would in turn protect the human species.

Phurgal Dishom Rin Bir Ko, folk play by Jeet Rai Hansda & group
The play portrays the saga of several adivasi men who fought relentlessly against the rulers of the British Empire in pursuit of freedom. Starting in 1784, Baba Tilka Manjhi led an uprising against British landlords at Bhagalpur. His brutal execution gave impetus to further rebellion by other young men including four brothers - Siddhu, Kaku, Chand and Bhairav - who, around 1855, dared to fight the British along with thousands of adivasis from the Santhal region. Legend has it that their sisters as well as lovers also joined the freedom struggle. Later, Birsa Munda led the struggle from the Chhota Nagpur region. The sacrifices made by these iconic leaders along with thousands of men, women and children are depicted in a style replete with song, dance and action.