|Snippets of information - Temples|
Chola temples, Thanjavur
Jun 5, 2020
Since 1966, the thousand pillars hall in the
Madurai Meenakshi Amman Temple is also doubling as the museum of the
temple. Among those items of artistic elegance and cultural excellence
Paintings explaining the quintessence of the ancient arts of
architecture, sculpture, painting, music, dance and other forms of
Antique panchaloka (five metal) idols.
Collection of rare photographs.
Rare antique items.
Articles of Saiva and Vaishnava religions.
Carvings in tusks and antique items.
Paintings from the Nayakka period depicting the 64 miracles performed by Lord Sokkanathar.
Feb 20, 2020
7 Shiva temples in Mylapore
1. Karaneeswarar Temple, Bazaar Rd, Mylapore, Chennai
2. Theerthapaleeswarar Temple, 55 Dr Natesan Rd, Sudandira Nagar, Triplicane, Chennai
3. Velleeswarar Temple, South Mada Street, Mylapore, Chennai
4. Virupaksheeswarar Temple, PV Koil St, Mylapore, Chennai
5. Valeeswarar Temple, G N Street, Mylapore, Chennai
6. Malleeswarar Temple, Thyagarajapuram, Mylapore, Chennai
7. Kapaleeswarar Temple, North Mada Street, Mylapore, Chennai
Mar 2, 2015
Nava Nandis at Nandyal
- Prathama Nandi is situated upon a high soil base very nearer to Nandyal railway station.
- Naga Nandi is inside Anjaneya temple, which is located very near the Nandyal bus stand.
- Soma Nandi is towards east of Nandyal (almost inside Nandyal town), very near the upcoming Jagajanani temple
- Surya Nandi is located on the road to Mahanandi.
- Shiva Nandi: Approximately 13 km away from Nandyal on the road to Mahanandi, near Thimmavaram village.
- Vishnu (Krishna) Nandi is located on the road to Mahanandi, 2 miles before Mahanandi
- Garuda Nandi is located just before the Mahanandi Temple after crossing the Big Nandi Statue.
- Mahanandi Temple with natural springs (pushkarini)
- Vinayaka Nandi is situated towards northwest of Mahanandi Temple. It is a small temple located to left of the exit Gopuram.
Feb 19, 2015
Two sculptures found in Darasuram have been brought to the Art gallery
at Thanjavur . One is Gajamharamurthy ( Gaja Samhara) in which Lord Siva slains the
elephant demon and another is Dwarabalaga brought by Raja Raja I from
Kalyan in Maharashtra as a war trophy.
- (Darasuram: architectural marvel from Chola period by G Srinivasan, The Hindu, 20 July 2011)
Feb 19, 2015
According to Kudavayila Balasubramanian, an epigraphist and temple expert, there are many unique sculptures in the Airavatesvara temple at Darasuram.
They include a 73 panel of sculptures depicting the life history of 63
Nayanmars. "Nowhere one can see in such details the life history of
Nayanmars. There are sculptures depicting the life history of Nayanmars
at Melakadambur and Thirupanandal temples too.
Other important sculptures of the temple are the 108 Devara Othuvars who
sung in the temple during the time of Raja Raja II. There are
sculptures for river goddesses like Cauvery, Ganges, Yamuna, Godavari
and Narmada. "While the sculptures of rivers like Cauvery, Yamuna,
Godavari are with human form till hip level and depicted in the form of
water circles below, sculpture of Ganges is in full human form with a
vessel of water in one hand and lotus flower in the other hand.
- (Darasuram: architectural marvel from Chola period by G Srinivasan, The Hindu, 20 July 2011)
The Peruvudaiyar Kovil, also known as Brihadeeswara Temple,
RajaRajeswara Temple and Rajarajeswaram at Thanjavur is part of UNESCO
World Heritage Site and "Great Living Chola Temples".
The vimana (or temple tower) is 216 ft (66 m) high and is among the
tallest of its kind in the world. The Kumbam (Kalasha or Chikharam)
(apex or the bulbous structure on the top) of the temple is carved out
of a single stone and it weighs around 80 tons.
The presiding deity of lingam is 3.7m tall. There is a big statue of
Nandi (sacred bull), carved out of a single rock, at the entrance
measuring about 16 feet long and 13 feet high. The entire temple
structure is made out of granite, the nearest sources of which are close
to Tiruchirappalli, about 60 km to the west of Thanjavur. Built in 1010
AD by Raja Raja Chola I in Thanjavur, Brihadeeswarar Temple, also
popularly known as the ‘Big Temple', turned 1000 years old in 2010.
The esteemed architect and engineer of the temple was Kunjara Mallan
Raja Raja Perunthachan as stated in inscriptions found at the temple.
The temple was built per ancient texts called Vaastu Shastras and
Agamas. He is the ancient ancestor of the doyan of Vaastu Vedic
architecture, the late Dr. V. Ganapti Sthapati of Chennai and
Mahabalipurim (architect of the 133' granite Thiruvalluvar statue at the
tip of south India). Members of his family still live and practice the
ancient art and science. The American University of Mayonic Science and
Technology was initiated by Dr. V. Ganapati Sthapati to perpetuate the
same form of architectural principles used by Kunjara Mallan Raja Raja
Perunthachan to build the Brihadeeswarar temple. The temple was built
using a measure of 1 3/8 inch called an angula (24 units equaling 33
inches called a hasta, muzam, or kishku).
Another widely held belief is that the shadow of the gopuram (pyramidal
tower usually over the gateway of a temple) never falls on the ground.
. The temple is said to be made up of about 130,000 tons of granite.
The Kumbam itself, a 60 ton granite stone carved in one piece, on top
of the main gopuram is believed to have been taken to the top by
creating an inclined slope to the height of 66m to the top of the
gopuram. The prevailing belief is that a mud-slope, which starts at
about three miles from the temple site, from Thirukoilore (birthplace of
Raja raja's mother) near Sri Virateshvara swamy temple. Elephants might
have been used to drag the stone up the slope. This was claimed to be
the only part of the gopuram, which does not cast a shadow that fall on
the ground, at least not within the temple premises.
On 26 September 2010 (Big Temple's fifth day of millennium
celebrations), as a recognition of Big Temple's contribution to the
country's cultural, architectural, epigraphical history, a special INR 5
postage stamp featuring the 216-feet tall giant Raja Gopuram was
released by India Post. The Reserve Bank of India commemorated the event
by releasing a INR 5 coin with the model of temple embossed on it.
Govt of India, Mumbai Mint issued Rs. 1000/- coin to commemorate the 1000th year of the temple.
Written in stone - Big Temple's inscriptions reveal a King's passion
"This is the only temple in the whole of India," says R. Nagaswamy,
former Director, Tamil Nadu Archaeology Department, "wherein the builder
himself has left behind a very large number of inscriptions on the
temple's construction, its various parts, the daily rituals to be
performed for the Linga, the details of the offerings such as jewellery,
flowers and textiles, the special worship to be performed, the
particular days on which they should be performed, the monthly and
annual festivals, and so on."
Raja Raja Chola even appointed an astronomer called ‘Perunkani' for
announcing the dates, based on the planetary movements, for celebrating
the temple's festivals.
Again, this is the only temple in India where the King specifically
mentions in an inscription that he built this all-stone temple called
‘kattrali' (‘kal' meaning stone and ‘tali' a temple). This magnum opus,
running to 107 paragraphs, describes, among others, how Raja Raja Chola,
seated in the royal bathing hall on the eastern side of his palace,
instructed how his order should be inscribed on the base of the vimana,
how he executed the temple's plan, the list of gifts he, his sister
Kundavai, his queens and others gave to the temple.
The inscriptions provide a list of 66 beautiful bronze idols Raja Raja
Chola, Kundavai, his queens and others gifted to the temple. The
inscriptions elaborate on the enormous gold jewellery, inlaid with
precious stones such as diamonds, emeralds, sapphires, rubies, corals,
pearls, for decorating each of these bronzes. Interestingly, the
measurements of all these bronzes — from crown to toe, the number of
arms they had and the symbols they held in their arms — are inscribed.
Today, only two of these bronzes remain in the temple — that of a
dancing Siva and his consort Sivakami. All the jewellery has
Dr. Nagaswamy, who recently authored a book, Brhadisvara Temple, Form
and Meaning, said highly specialised gemmologists classified the gems
according to their quality and weight. Even the lacquer used inside the
beads and the thread employed for stringing them together were recorded.
There were references to white pearls, red pearls, chipped ones, those
with red lines or skin peeled off.
Raja Raja Chola gifted gold vessels to the temple, and their weight,
shape and casting were mentioned in the lithic records. Even a small
spoon, ‘nei muttai,' for scooping out ghee, finds a mention. The
inscriptions throw light on the temple's revenue from various sources,
the mode of payment and the meticulous accounting procedures. "It shows
the care and attention with which the temple property was entered in the
registers and the responsibility fixed for handling them. Raja Raja
Chola had an extraordinary administrative talent, unsurpassed either
before or after him," Dr. Nagaswamy said.
The inscriptions even speak about the temple's cleaners, sweepers,
carriers of flags and parasols, torch-bearers for processions at night
and festivals, cooks, dancers, musicians and singers of Tamil and
- (T.S. Subramanian, The Hindu, September 24, 2010)
photograph, taken on a full moon night, of mount Kailash, south face,
with the face of Lord Siva clearly visible on one half of the sacred
mountain , the other half representing Uma, underlying the
You will also find steps like rocks in the centre, but each step will be
atleast about 500 feet in between. One of the closest view - the full south face of the mountain including the base portion
of the mountain, which is described as Athma Lingam, right underneath
the centre portion under the so called huge steps. There are Saptharishi caves in this region.
(Received this information
and image through email)
of the sthala vrukshams (sacred trees in temples)
- Fig Tree
- Mahua Tree
- Mango tree
- Arjuna Tree
- Jack tree
- Paray maram
- Vanni maram
tree (vaebba maram)
- Bael Tree
from Gopura Darisanam Deepavali Malar 2006
An idol of Narasimhar
carved out of a single stone with a seshnag hood can be seen in Hampi opposite
the Spataswara mandapam.
idol can be seen at a temple about 6 kms from Mel Ahobilam. The Moolavar
- Lakshmi Narasimhar is seen seated on the Adiseshan. In his upper
arms he holds the changu & chakram, the lower right hand is in abhaya
mudra while he is seen holding Lakshmi seated on his lap with his left
temple on the banks of the Yamuna river in Delhi is now considered the
worlds largest hindu temple. Built with a combination of marble, sandstone
and wood the building is fabulously impressive. It is built to ancient
standards without using any steel and as such is designed to last 1000
years. The intricate nature of the carving both inside and out is stunning
and has lovingly restored an almost lost art and is already influencing
other temple building projects throughout india and the world.
The largest Hindu temple is the BAPS Swaminarayan Akshardham with a
total area of 8,021.43 m² (86, 342 ft²) built by BAPS Swaminarayan
Sanstha in New Delhi, India and inaugurated on 6 November 2005. BAPS
Swaminarayan Akshardham in New Delhi, India, is the world's largest
Hindu temple. It measures 356 ft long, 316 ft wide and 141 ft high. The
grand, ancient-style temple built within 5 years by 11,000 artisans
without structural steel was consecrated on 6 November 2005 by its
creator His Holiness Pramukh Swami Maharaj, spiritual leader of BAPS.
The temple showcases the essence of India's ancient art, traditions and
largest temple of the world, raised during the reign of Suryavarman-II
(1113 to 1150) in 12th century is located in Angkor, a major archaeological
site of Cambodia. It is dedicated to Lord Vishnu. It is also one of the
two temples intact in Angkor, Cambodia. The other is a Buddhist Temple.
The largest temple of Lord Vishnu in Angkor is built according to Khmer
architecture, original to Cambodia. The temple was being used as a Buddhist
Centre in 14th Century and was neglected from the 16th century. Currently,
a German organisation is making efforts in renovating the temple's structure.
be rid of Kala Sarpa Dosham by offering worship at the Sri Vaanchiyam temple
to both Rahu & Ketu at the same location. The holy Ganges which
is believed to rid the bathers from all sins is said to have got rid of
her sins by bathing in the Guptagangai waters of Sri Vanchiyam.
Tirupathi - Some beliefs
It is believed
& accepted that all flowers that bloom in Tirupati is for the Lord's
worship & hence there is a practice that no women adorn their hair
with flowers while in Tirumala.
There is a
habit of giving the flowers used to worship the Lord to devotees as prasadam
in all temples. But in Tirupati, there are no idols or images of
any God other than Srinivasa. So all the flowers are offered to him
in the name of other Gods too. Hence these flowers are not the prasada
of Lord Srinivasa alone & hence are not offered to devotees as his
prasadam. Ramanujar created the habit of placing these flowers in
a well (Poonginaru - Poo - flower; Kinaru - well) near the sannadhi.
for the Thomaala (Thol Maalai) & Poolaangi (Poovaadai) sevais are formed
into garlands at a place called Yamunaathurai. It is located near
the spot where the ladoos are prepared. A devotee of the Lord Yamunachaariyaar
(also known as Aalavandaar) used to collect flowers, make beautiful garlands
& offer them to the Lord. The king Anantharaayan was impressed
with his devotion. Seeing him suffer in an old hut, he created a
mandapam for him. To date, garlands are being made in this mandapam.
Veedu - The six most important temples of Lord Muruga
near Madurai - Dhandayutapani
near Alagar Koyil near Madurai - Solaimalai Murugan
near Tirupati and Chennai - Bala Subramanya Swami
near Madurai - Subramanyaswami
- Bala Subramanya Swami and Senthilandavar.
five temples for Surya worship, in Tamil Nadu are known as the Pancha
saptha (7) Vitanka sthalams are Tiruvaarur, Tirukkuvalai, Tirukkaaraivaasal,
Tirumaraikkaadu, Tiru Naagai, Tirunallaaru and Tiruvaimur.
Petra Stalangal - Siva temples whose praise has been sung by Appar, Sundarar, Maanickkavaasagar and Thiru Gnana Sambandhar
- also known as Thevaram Petra Thirukoilgal.
Veerattaana Sthalams - The sthalams where the Lord Siva has destroyed
evil asuras & danced in joy. They are eight (ashta) in number.
Tiruvatikai, Tirukkadavur, Tirukkurukkai, Tirutturutti, Tirukkovilur, Vazhuvur,
Sabha Sthalams of Lord Nataraja - The five Cosmic Dance Halls of Lord
Natarajar Temple, Chidambaram
- Kanaka Sabhai (gold)
Meenakshi Sundareswarar Temple, Madurai -
Rajata Velli Sabhai (silver)
Nellaiappar Temple, Tirunelveli
- Tamra Sabhai (copper)
Sri Vada aranyeswarar Temple, Tiruvalankadu
- Ratna Sabhai (ruby)
Kutraleeswar Temple, Kutralam -
Chitra Sabhai (mural)
Bhoota Sthalams - Tiruvannamalai, Kanchipuram, Tiruvaanaikkaval, Kalahasti
Tiruvannamalai (Thejo sthalam - Fire)
(Prithvi sthalam - Earth)
(Appu sthalam - Water)
(Vayu sthalam - Air)
(Akasa sthalam - Space)
Kailasam - There are 9 Siva temples in Neyveli-Thoothukudi. All
the shrines are aspects of a navagraham.
- Suryan - Mela Kailasam
Mahadevi - Thingal - Mela Kailasam
- Chevvai - Mela Kailasam
- Rahu - Keezh kailasam
- Guru - Keezh kailasam
- Sani - Keezh kailasam
- Budan - Keezh kailasam
- Kethu - Keezh kailasam
Poomangalam - Sukran - Keezh kailasam